Youthful Convulsions and the Confines of Rigid Patriarchy
written by Bryan Robertson
Wasted Youth, Scream it Back, oil on canvas, 36” x 48”, 2016
St. Louis artist Jordan McGirk takes visual cues straight from the Baroque masters, often quoting them directly and presenting the viewer with tumultuous knots of figures expelled straight from heaven. In McGirk’s recent work the convulsive energy of Reubens gives an overall impression of emotion and drama. In “Wasted Youth, Scream It Back,” an asymmetrical balance creates a dizzying motion moving the viewer past encrypted symbols and colors that illuminate contemporary societal struggles.
It is easy to trace the influence of these Northern European painters straight to contemporary masters like Willem de Kooning and Anselm Kiefer. In particular, the mental chaos of de Kooning’s Woman series is evident in his work. Where de Kooning focuses on the female figure as the nexus of inner conflict, McGirk turns masculine angst into creatures of conformity to popular culture. One can also see in McGirk’s work Kiefer’s ability to blend irony with social commentary and the revelation of art’s ability to question accepted conventions.
These works are classic oil on canvas created with a hyper-saturated palette that treats color like musical notes. In “Wasted Youth, Scream It Back,” McGirk depicts a giant lime green arm holding a microphone that extends diagonally from the left corner to the center-right position. This visual pathway leads the eye past a brain-like form and into the tips of four neon yellow fingers, which frame the gaze of a malcontent figure slowly desaturating in color as he fades into the background. Overall, the painting posses a swirling sensation as greens and pinks vibrate against one another and conspire to move the eye rapidly from corner to corner. The viewer always returns to the lime green figure who projects an almost raw sense of power as it looks down upon his crowd, a mosh-pit of interconnected bodies.
The Apotheosis of the Pit/ Bareknuckle Prayers, oil on canvas, 36” x 48”, 2016