Upcoming Exhibitions


Aspired Inspiration - Den Smith

May 31 - July 6, 2024

Ramp Gallery

Den Smith finds inspiration in nature and wonder, and sees a cyclical relationship between inspiration and creation. In late 2022, he turned to mono printing to rejuvenate his creative process after a hiatus caused by the COVID-19 pandemic. Initially focusing on painting on canvas with surreal landscapes and nature themes, they were surprised by the spontaneity of mono printing and the challenges it presented. Despite initially feeling limited by the medium, he embraced its looser expression and spent months experimenting with it. Eventually, he integrated the techniques and aesthetics he had learned from mono printing into his paintings. In 2023, he revisited his earlier mono prints and found new inspiration, leading to further experimentation and creation.


Geologic - Elizabeth Claire Rose

May 31 - July 6, 2024

Curated Gallery

Elizabeth Claire Rose’s practice as an artist begins with the study and research of parallel places and ecosystems. She observes and identifies how they mirror each other’s function and form, and how through their similarities they are able to exhibit uniqueness. Studying these sites is especially important in the face of climate change, as highly sensitive places like islands and alpine areas become more vulnerable to fluctuating temperatures, e.g. rising lake and sea levels, which in turn impacts the survival of flora and fauna in these vulnerable landscapes. Awareness of the presence of indicator species demonstrates the geographic range of ecological connectivity, as well as indicate the zonal shifts within a warming climate. 

Referencing her own experiences traveling through altitudinal zones to alpine areas, and across latitudinal lines, she creates work which connects geographically disconnected landscapes focusing on their shared ecologies: how each site is connected through climatic shifts, soil qualities, and habitat range. She repetitively reworks traditional copperplate matrices, often in combination and collage with photo-lithography, and photography to extract observations, uncovering cultural and natural histories.


Impressions Unbound

May 31 - July 6, 2024

Juried Gallery

Impressions Unbound aims to highlight current trends in contemporary American printmaking and shine a spotlight on a cross-section of artists working in a variety of traditional, alternative, and experimental print processes.

Juror: Karen J Revis 
Karen J Revis is an artist based in New York City.Karen is a printmaker driven by process and materials and uses a variety of techniques including monotypes, lithographs, etchings,linoleum cuts, collagraphs, and papermaking.

Exhibition Sponsors:

The Bayer Family

 

The Ethics Project

May 31 - July 6, 2024

Art Shop

The multimedia artwork and writings shown in this exhibit are the reflections of gun violence, peace and hope as experienced by over 40 students from three St. Louis Public Schools. The undertaking is an ongoing effort of The Ethics Project to raise awareness of the impact of injustice and mass incarceration on children, families, and society as a whole, particularly in communities of color.

Dr. Christi Griffin, founder and president of The Ethics Project worked with students and teachers in four classrooms at Roosevelt Central Visual and Performing Arts, and Gateway Stem high schools. Over the course of two weeks, students discussed the trauma they experienced from gun violence and their hope for a more peaceful city. Their Thoughts and feelings are shared in the images and writings you see here.

Prior to these conversations, none of the students had ever talked about the impact that the loss of friends, classmates and even family members have had on their lives. Our youth are hurting in silence.


The Beauty of A Black Man Loving Black Men - Tiélere Cheatem

July 19 - August 24, 2024

Ramp Gallery

The Beauty of A Black Man Loving Black Men is a series that explores the tender and often overlooked aspect of Black male affection and romance. In many communities, discussions surrounding Black men loving each other romantically remain scarce due to societal taboos and stereotypes. As a Black queer individual, I have personally felt the absence of representation in this regard. This love, and the many forms it comes in is a representation I crave more of. Through my artwork, I aim to challenge these norms and celebrate the beauty of Black queer love.

My series will comprise ten large-scale oil paintings, each portraying intimate, and sensuous moments between Black queer men. Drawing inspiration from classical romance and my vision of what a love as unique as this could look like, each piece will be accompanied by a short poem reflecting the essence of the artwork.

While I know I am not the only one who is creating with this subject in mind, my ultimate goal is to inspire pride and openness within the Black community, encouraging individuals to embrace love in all its forms. By depicting Black queer love in art, I hope to foster a sense of belonging and empowerment among my peers. This is only the beginning and I look forward to sharing more with this subject in mind.


Apperception - Sarah Lorentz

July 19 - August 24, 2024

Curated Gallery

APPERCEPTION:  the mental process by which a person makes sense of an idea by assimilating it to the body of ideas he or she already possesses.

This exhibit by St. Louis artist Sarah Lorentz invites viewers to engage in an interactive experience at the intersection of art and science. Personal biases shape our daily interactions - influencing wellbeing, achievement, and relationships. Referencing the format and procedure of pioneering personality tests, the exhibition mimics Thematic Apperception Test flashcards. A sequence of seemingly neutral interactions of figures prompts active participation by eliciting interpretive narratives for the imagery. The work invites conscious change towards more constructive engagement.  


Clearly Human V

July 19 - August 24, 2024

Juried Gallery

The St. Louis Artists’ Guild is proud to host Clearly Human V, an all-media group exhibition of artwork focused on the human figure. Clearly Human gives a comprehensive look at the many ways of representing the human figure, from traditional to contemporary, realistic to fanciful, beautiful to unsettling. The exhibit seeks a diverse view of humanity representing subjects varying greatly in gender, age, ethnicity, and nationality. The artists are encouraged to use the figure to explore a wide variety of themes, including definitions of beauty, perceptions of history, relationships with nature, and moments of everyday life.

Juror: Teresa Oaxaca

Teresa Oaxaca is an American born artist based currently in Washington D.C. She is a full time painter whose works can be seen in collections and galleries throughout the US and internationally. Her talent has been recognized and rewarded by museums and institutions such as the American Museum of the Cowboy, The former Corcoran Gallery of Art, The Art Renewal Center, The Elisabeth Greenshields Foundation, the Posey Foundation, and The Portrait Society of America and the Museu Europeu D’Art Modern in Barcelona.

Her training includes a four-year diploma at the Angel Academy of Art (Florence Italy, Graduate studies at the Florence Academy, an Apprenticeship with Odd Nerdrum in Norway, and studies at the Art League of Alexandria VA where she trained with Robert Liberace, Paul Lucchesi, and took many other courses. Currently she teaches workshops around the United States and in Europe.

In addition to her studio work she takes a variety of portrait commissions including Family Portraiture, Professional/Business, Custom and Informal arrangements. She exhibits widely and sells her work on a regular basis. She also recently founded a fashion company called “House of Oaxaca”, selling wares online at www.houseofoaxaca.com.

Within Washington D.C. she has participated with local groups such as The Esperanza Education Fund, The Arts Club of Washington, The Art League School in Alexandria, VA and the National Education Association. In 2014 she became a member of the Young Partners Circle of The National Museum of Women in The Arts. She is also a registered member of the National Art Education Association (NAEA) and an ambassador for the newly established Da Vinci Initiative, which designs and promotes skill-based learning and lesson plans for US K-12 public school educators. She is also a member of the Arts Club of Washington and the California Arts Club.

Since returning to the Washington D.C. area I have been focusing on creating a new and large body of work. My new series have taken me away from academic studies to more elaborate compositions which combine human and still life elements. In addition to this I now take on portrait commissions and continue my studies in art by observing and copying the painting of the Old Masters in art galleries throughout the world.


Solo Exhibition - Alex Paradowski

September 6 - October 11, 2024

Ramp Gallery


Solo Exhibition - Michael Faris

September 6 - October 11, 2024

Curated Gallery


STLAG Members Exhibition

September 6 - October 11, 2024

Juried Gallery

The St. Louis Artists’ Guild is proud to present our annual members exhibition, an all media and theme exhibit.

Juror: Courtney Wasson - Curator and Executive Director of the Kansas City Artists Coalition


Solo Exhibition - Chris Wubbena

November 15 - December 28, 2024

Curated Gallery


Constructed Visions V

November 15 - December 28, 2024

Juried Gallery

Juror: Laura Strand - Professor of Textiles at Southern Illinois University Edwardsville